{"id":8,"date":"2022-05-25T10:44:28","date_gmt":"2022-05-25T08:44:28","guid":{"rendered":"https:\/\/tracingspaces.net\/wir-domenig\/?page_id=8"},"modified":"2025-08-18T15:33:41","modified_gmt":"2025-08-18T13:33:41","slug":"coming-up","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/wir-domenig\/","title":{"rendered":"Warum „Wir“"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
Ein verzweifelter Versuch noch zu Lebzeiten dem Denken G\u00fcnther Domenigs auf die Spur zu kommen. Im Rahmen eines Kunst am Bau Projektes von Dietmar Tanterl f\u00fcr das LKH Bruck a.d. Mur 1992<\/span><\/h6>\n[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/6″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Wir G\u00fcnther Domenig<\/span><\/p>\n

Eine Korrektur<\/span><\/p>\n

 <\/p>\n

22. Oktober 2022 bis 12. Februar 2023<\/span>
\nkunst haus muerz<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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G\u00fcnther Domenigs herausragendes Talent komplexe skulpturale Architekturen zu erfinden, seine Obsession zur totalen Raumbeherrschung, seine Kampfkraft diese Ideen durchzusetzen \u2013 Kollateralsch\u00e4den inklusive \u2013 soll in dieser Ausstellung nicht in Frage gestellt werden.<\/div>\n
<\/div>\n
Er war dabei allerdings nicht alleine \u2013 G\u00fcnther Domenig waren viele. In G\u00fcnther Domenigs Arbeiten spiegeln sich 40 Jahre Architektur- und Kulturgeschichte (1964-2004) in unterschiedlichen Partnerschaften (mit Eilfried Huth, Hermann Eisenk\u00f6ck und Gerhard Wallner), sich wandelnde Stile und Entwurfspositionen (beginnend mit Brutalismus, Strukturalismus, organischen vegetabilen Zellstrukturen, usw.) sowie gesellschaftlichen Um- und Aufbruchssituationen, die auch seitens seiner (\u00f6ffentlichen und privaten) Auftraggeber*innen mitgetragen wurden.<\/div>\n
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G\u00fcnther Domenig war zudem auch 20 Jahre Professor f\u00fcr Geb\u00e4udelehre an der Fakult\u00e4t f\u00fcr Architektur an der TU Graz (1980-2000), seine Pers\u00f6nlichkeit, seine aktionistische Veranlagung und sein Team haben Generationen von Studierenden beeinflusst. Die Professur wirkte aber auch auf Domenigs Arbeit als Architekt zur\u00fcck, sie verlieh ihm Status und Einfluss und erm\u00f6glichte ihm Zugriff auf Mitarbeiter*innen, die er aus dem Pool der talentiersten Studierenden rekrutiert hat.<\/div>\n
<\/div>\n
Das Wort WIR existierte in G\u00fcnther Domenigs Sprachgebrauch jedoch nicht. Gerade deshalb bietet diese Ausstellung eine fragmentarische Biographie und Werkgenese, die nicht die von ihm lacierten Legenden reproduziert sondern indirekt \u00fcber die Erfahrungen und Erz\u00e4hlungen jener rekonstruiert wird, die zur Umsetzung der Projekte ma\u00dfgeblich beigetragen haben, die von G\u00fcnther Domenigs Arbeit inspiriert worden sind, sich mitunter aber auch von ihm abgewandt haben oder von ihm versto\u00dfen wurden.<\/div>\n
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Michael Zinganel, Kurator<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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We G\u00fcnther Domenig<\/span><\/div>\n
<\/div>\n
A correction<\/span><\/div>\n
<\/div>\n
<\/div>\n
Exhibition at kunsthaus muerz<\/span>
\nOctober 22, 2022 until February 12, 2023<\/span><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
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G\u00fcnther Domenig’s outstanding talent for inventing complex sculptural architectures, his obsession with total control of space, his fighting power to enforce these ideas – collateral damage included – is not to be questioned in this exhibition.<\/div>\n
He was not alone in his ambitions, however – G\u00fcnther Domenig was many. G\u00fcnther Domenig’s works reflect 40 years of architectural and cultural history (1964-2004) in various partnerships (with Eilfried Huth, Hermann Eisenk\u00f6ck and Gerhard Wallner), changing styles and design positions (starting with Brutalism, Structuralism, organic vegetal cell structures, etc.) as well as social upheavals, which were also supported by his (public and private) clients.<\/div>\n
G\u00fcnther Domenig was also a professor of building design at the Faculty of Architecture at the Graz University of Technology for 20 years (1980-2000); his personality, his actionist disposition and his team have influenced generations of students. But the professorship also impacted Domenig’s work as an architect, giving him status and influence and access to collaborators he recruited from the pool of the most talented students.<\/div>\n
However, the word WE did not exist in G\u00fcnther Domenig’s vocabulary. For this very reason, this exhibition offers a fragmentary biography and genesis of works that does not reproduce the legends he propagated but is reconstructed indirectly through the experiences and narratives of those who contributed significantly to the implementation of the projects, who were inspired by G\u00fcnther Domenig’s work, but who also turned away from him or were repudiated by him.<\/div>\n
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Michael Zinganel, curator<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

WIR\u00a0G\u00dcNTHER DOMENIG<\/span><\/p>\n

Kurator:\u00a0Michael Zinganel
\nIdee:\u00a0Wolfdieter Dreibholz
\nOrganisation:\u00a0Ursula Horvath<\/p>\n

Ausstellungsarchitektur:\u00a0Michael Hieslmair und Michael Zinganel, Tracing Spaces
\nTeam:\u00a0Daniel Bemberger, David Biegl, Ruslan Dimov, Michael Hieslmair, Johannes\u00a0Hofmann, Viola R\u00f6sch, Jan\u00a0Schiefermayr, Sophie Stockhammer, Max Weilacher
\nHaustechnik:\u00a0Christian Paar<\/p>\n

Lektorat:\u00a0Brigitte Ott
\nGrafik: seite zwei, Stefan\u00a0Mayer, Carina Stella, Marcus Zoller
\nDruck: e.h. montagen<\/p>\n

Fotograf*innen:
\nPaul Ott, Laszlo Pap, David\u00a0Schreyer,\u00a0Margherita\u00a0Spiluttini,\u00a0Helmut\u00a0Tezak, Gerald Zugmann Fotografie u. a.<\/p>\n

Videos:
\nB\u00fcro Domenig Wallner, Christian\u00a0Fr\u00f6hlich, Museen der Stadt N\u00fcrnberg\u00a0und\u00a0Reiner Holzemer Film, ORF\u00a0TVthek<\/p>\n

Modellbau Stadt Ragnitz:
\nPeter Kaschnig<\/p>\n

Leihgeber*innen:
\nArchitektur\u00a0Consult ZT GmbH., Architekturzentrum Wien, Alfred Bramberger,\u00a0Collection FRAC\u00a0Centre-Val de Loire,\u00a0Matthias Castorph,\u00a0Institut\u00a0f\u00fcr Entwerfen im Bestand und Denkmalpflege, TU Graz,\u00a0Bernhard Copony, Domenig\u00a0Dimensional, Hermann Eisenk\u00f6ck,\u00a0Eva Frank, Hans Gangoly, Horst Gerhard Haberl, Institut f\u00fcr Geb\u00e4udelehre, TU\u00a0Graz,\u00a0Christian Halm, Eilfried Huth, Andreas Lechner, Herbert Liska, Sammlung\u00a0Liaunig, Universit\u00e4tsbibliothek der TU Graz,\u00a0MAK \u2013 Museum f\u00fcr angewandte Kunst,\u00a0Museum Moderner Kunst K\u00e4rnten, Linda Pelzmann, Andreas Pulides, Steinhaus\u00a0G\u00fcnther\u00a0Domenig Privatstiftung, Gerhard Wallner,\u00a0Karin Wintscher-Zinganel,\u00a0Michael Zinganel<\/p>\n

kunsthaus muerz
\nWiener\u00a0Stra\u00dfe 35, A-8680 M\u00fcrzzuschlag
\nGesch\u00e4ftsf\u00fchrung:\u00a0Ursula Horvath<\/p>\n

Gef\u00f6rdert von:
\nStadtgemeinde M\u00fcrzzuschlag
\nDas Land Steiermark, Abteilung\u00a09, Kultur, Europa, Sport
\nDas Land Steiermark, Abteilung\u00a016, Verkehr und Landeshochbau
\nBundesministerium f\u00fcr Kunst,\u00a0Kultur, \u00f6ffentlichen Dienst und Sport
\nWEGRAZ
\nHEIDENBAUER
\nALUK\u00d6NIGSTAHL GmbH
\nPORR Bau GmbH
\nViktor Kaplan-Akademie f\u00fcr\u00a0Zukunftsenergien Muerz GmbH<\/p>\n

Partner kunsthaus muerz:
\nKleine Zeitung
\nGRAWE Grazer\u00a0Wechselseitige Versicherung AG<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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\u00d6ffnungszeiten: Donnerstag bis Samstag 10:00 \u2013 18:00 | Sonntag 10:00 \u2013 16:00<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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