{"id":59,"date":"2022-11-17T12:48:21","date_gmt":"2022-11-17T11:48:21","guid":{"rendered":"https:\/\/tracingspaces.net\/wir-domenig\/?page_id=59"},"modified":"2025-08-18T15:35:25","modified_gmt":"2025-08-18T13:35:25","slug":"ausstellungsansichten","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/wir-domenig\/ausstellungsansichten\/","title":{"rendered":"Ausstellungskonzept\/Ansichten"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Ausstellungskonzept<\/strong><\/p>\n

In dieser Ausstellung wird bewusst KEINE klassische Biografie des Architekten G\u00fcnther Domenig gezeigt. Sein Werdegang wird stattdessen durch die Dokumentation von Begegnungen rekonstruiert, die G\u00fcnther Domenig als Person gepr\u00e4gt und\/oder sein sich wandelndes Werk beeinflusst haben. Statt der von Domenig selbst ins Spiel gebrachten „Legenden“ wird bei den einzelnen Projekten jeweils eine Kurzbiografie seiner wichtigsten Partner*innen, Mitarbeiter*innen und Auftraggeber*innen hinzugef\u00fcgt. Dadurch ensteht eine fragmentarische Erz\u00e4hlung, auf welche Weise und mit wessen Unterstu\u0308tzung die einzelnen Projekte \u2013 im Sinne eines Making-of \u2013 zustande gekommen und umgesetzt worden sind.<\/p>\n

Der Ausstellungsraum wird durch ein 22 Meter langes diagonal geh\u00e4ngtes Regal strukturiert, dass in chronologischer Reihenfolge Schl\u00fcsselereignisse dokumentiert und gleichzeitig Durchblicke auf die davor und dahinter breiter dargestellten Projekte erm\u00f6glicht.<\/p>\n

Die 20 Jahre von G\u00fcnther Domenigs Professur an der TU Graz spielen dabei eine tragende Rolle, \u00fcberlagern sie sich doch mit der H\u00e4lfte der 40 Jahre seiner aktiven selbst\u00e4ndigen Architektenkarriere: W\u00e4hrend Gu\u0308nther Domenig gegenu\u0308ber einer breiten \u00d6ffentlichkeit (bei Er\u00f6ffnungen, in TV-Beitr\u00e4gen und Publikationen) den widerborstigen Rebellen zur Schau trug, der Einflu\u0308sse Dritter als Infragestellung seiner genialischen Potenz zuru\u0308ckwies, zeigte er in seinen Vorlesungen im geschu\u0308tzten Raum der Universit\u00e4t ein breites visuelles Panorama an architektonischen und ku\u0308nstlerischen Positionen \u2013 aus Geschichte und Gegenwart \u2013 sowie einen hohen Grad an Informiertheit und Reflexionsf\u00e4higkeit. Hier scheute er sich nicht, Inspirationen durch andere und die Beitr\u00e4ge seiner Mitarbeiter* innen konkret zu benennen.<\/p>\n

Einen weiteres wichtiges Korrektiv in der Ausstellung bilden die Videointerviews von Christian Fr\u00f6hlich und G\u00fcnter Koberg mit Eilfried Huth, Domenigs Partner w\u00e4hrend der ersten 12 \u00fcberaus erfolgreichen Jahre, Volker Giencke, wichtigster Mitarbeiter w\u00e4hrend und nach der Trennung von Eilfried Huth von 1973 bis 1979, sowie Walter Pichler, bedeutender K\u00fcnstler, den Domenig verehrte und dem er auf vielf\u00e4ltige nachzueifern veruchte. Alle drei\u00a0 kommentieren wohlwollend aber durchaus kritisch G\u00fcnther Domenig k\u00fcnstlerische Ambitionen und Entwurfszug\u00e4nge.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Concept of the Exhibition<\/strong><\/p>\n

This exhibition deliberately does NOT present a classic biography of the architect G\u00fcnther Domenig. Instead, his career is reconstructed by documenting encounters that have shaped G\u00fcnther Domenig as a person and\/or influenced the devolment of his studio’s work. Instead of the „legends“ brought into play by Domenig himself, a short biography of his most important partners, collaborators and clients is added to each of the individual projects. This creates a fragmentary narrative of how and with whose support \u2013 in the sense of a making-of \u2013 the individual projects came about and were realized.<\/p>\n

The exhibition space is structured by a 22-meter-long diagonally mounted shelf that documents key events in chronological order and at the same time allows glimpses of the projects presented more broadly in front of and behind it.<\/p>\n

The 20 years of G\u00fcnther Domenig’s professorship at the Graz University of Technology play a crucial role, overlapping with half of the 40 years of his active independent architectural career: While G\u00fcnther Domenig exhibited to a broad public (at openings, in TV reports and publications) the unruly rebel who rejected third-party influences as questioning his genial potency, in his lectures in the protected space of the university he displayed a broad visual panorama of architectural and artistic positions \u2013 from history and the present \u2013 as well as a high degree of informativeness and reflectiveness. Here he did not shy away from concretely naming inspirations by others and the contributions of his collaborators.<\/p>\n

Another important corrective in the exhibition are the video interviews by Christian Fr\u00f6hlich and G\u00fcnter Koberg with Eilfried Huth, Domenig’s partner during the first 12 extremely successful years, Volker Giencke, his most important collaborator during and after the separation from Eilfried Huth from 1973 to 1979, and Walter Pichler, an important artist whom Domenig admired and whom he tried to emulate in many ways. All three comment sympathetically but quite critically on G\u00fcnther Domenig’s artistic ambitions and design approaches.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Gesamtansicht des Ausstellungsraumes<\/p>\n

Zentrales schwebendes Regal mit pr\u00e4genden Ereignissen in chronologischer Reihenfolge; rechts vorne: G\u00fcnther Domenig, Steinhaus-Arbeitsmodell und Skizzen, 1986-87 (Mitarbeiter*innen, v.a. Hermann Eisenk\u00f6ck, Andreas Gruber, Herbert Liska, Gerhard Wallner); links vorne: Architektur Consult Eisenk\u00f6ck-Domenig-Peyker, Modell T-Center Wien, 2001\u20132004 (Mitarbeiter*innen: v.a. Christian Halm und Peter Kaschnig); links dahinter: G\u00fcnther Domenig, Reichsparteitagsgel\u00e4nde N\u00fcrnberg (Mitarbeiter*innen: v.a. Gerhard Wallner); Foto: \u00a9 Wolfgang Thaler<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Einstieg<\/p>\n

Mitte: Titeltafel, kuratorischer Text und Credits; rechts: G\u00fcnther Domenig, Nix-Nuz-Nix, vogelartiges Flug-Objekt aus Edelstahl 1983, Konstruktionszeichnungen von Andreas Gruber f\u00fcr die Herstellung bei Metallbau Treiber Graz, Fotos der Erstinstallation in der Z Filiale Graz Dietrichsteinplatz von Helmut Tezak; links: G\u00fcnther Domenig, Steinhaus 1981-2008, Ideenskizze aus der Berglandschaft von G\u00fcnther Domenig und erste Entwicklungsversuche von Hermann Eisenk\u00f6ck aus 1981, Foto: \u00a9 Wolfgang Thaler<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Ausschnitt des Arbeitsmodells des Steinhauses mit Blick auf S\/W Fotos von Gerald Zugmann: Torso der Betonkonstruktion des Steinhaus 1988, fortgeschritten Baustelle 1999; Foto: \u00a9 Wolfgang Thaler<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Blick \u00fcber das Arbeitsmodell des Steinhauses auf die zentrale Timeline. Darin von links nach rechts: Video der Trigon Ausstellung 1967, Foto des Kiosk in der Schwimmhalle f\u00fcr die Olympische Spiele M\u00fcnchen 1972, Zeichnung (von Joe Kollegger) und Fotos des Mehrzwecksaals der Schulschwestern 1973-77\u2026; Foto: \u00a9 Wolfgang Thaler<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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B\u00fchnenbild und Kost\u00fcme f\u00fcr die Oper Elektra in der Grazer Oper 1995; Z-Kundenzentrum in Wien Mitte (sp\u00e4ter Bank Austria) 1986-92, Modellfoto der Treppenhausskulptur von Wolfgang K\u00f6ck und Armin Lixl; Walter Pichler, Katalog, Original-Zeichnungen und Videointerview aus 2004 von Christian Fr\u00f6hlich und G\u00fcnter Koberg, produziert anl\u00e4sslich des 70-j\u00e4hrigen Geburtstages von G\u00fcnther Domenig im Jahr 2004<\/span>; Foto: \u00a9 Wolfgang Thaler<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Beginn der Professur<\/p>\n

Von links nach rechts: COOP Himmelblau, „Architektur muss brennen“ 1980, der fuminante Auftakt der Gastvortragsreihe, Foto von Gerald Zugmann; Manuskript von Domenigs Antrittsvorlesung zum Durchbl\u00e4ttern; Zwei Poster der prominent besetzten Gastvortragsreihe; Diagramm eines ganzheitlichen Lehrkonzeptes von Bernhard Copony; fr\u00fche von G\u00fcnther Domenig und seinen Assistenten betreute Diplomarbeiten. Foto: \u00a9 Wolfgang Thaler<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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In der Apsis des Ausstellungsraums<\/span><\/div>\n
Rechts: G\u00fcnther Domenig & Eilfried Huth, utopisches strukturalistisches Wohnprojekt „Stadt Ragnitz“ 1965-69, Reprint der Wettbewerbstafeln f\u00fcr Grand Prix in Cannes 1969; Mitte: Modell des Wohnprojektes „Stadt Ragnitz“; unter dem Modell: Collage mit internationalen Referenzprojekten aus der Zeitschrift Bauen + Wohnen 5\/1967; im Hintergrund rechts: Videointerview mit Eilfried Huth von Christian Fr\u00f6hlich und G\u00fcnter Koberg; im Hintergrund links: G\u00fcnther Domenig mit Volker Giencke: Wettbewerb Ballhausplatz Wien 1975; Foto: \u00a9 Wolfgang Thaler<\/span>
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Blick zur\u00fcck \u00fcber das nachgebaute Modell des Wohnprojektes „Stadt Ragnitz“, erstmals 1967 f\u00fcr eine Ausstellung im Forum Stadtpark gebaut, 2001 von Peter Kaschnig f\u00fcr einen Ankauf der Sammlung des FRAC Centre-Val de Loire in Orleans rekonstruiert und 2022 von Peter Kaschnig f\u00fcr diese Ausstellung ein zweites Mal nachgebaut. Im Hintergrund vom Modell verdeckt: Bernhard Hafners Projekt „City in Space“ aus 1966 und die von ihm 1969 herausgegebene Graz-Ausgabe der Zeitschrift „Bau“ als Beispiele der zeitlich parallel dazu entstehenden strukturalistischen Tendenzen in den Zeichens\u00e4len der TU Graz; Arbeiten von Hafner und Gartler wurden 2001 auch vom FRAC Centre-Val de Loire in Orleans angekauft. Foto: \u00a9 Wolfgang Thaler<\/span>
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Rechts: TU Erweiterungsbau, G\u00fcnther Domenig, handgezeichnete Skizzen des ersten Entwurfs aus 1983 und des zweiten Entwurfes aus 1984; Modell und Modellfotos des \u00fcberarbeiteten Entwurfs von Laszlo Pap; links: Neubau des ReSoWi-Zentrum f\u00fcr die Fakult\u00e4ten f\u00fcr Rechts-, Sozial- und Wirtschaftswissenschaften, Wettbewerbsmodell und Erdgeschossgrundsiss aus 1985, umgesetzt in Partnerschaft mit Hermann Eisenk\u00f6ck und durchgesetzt mit Hilfe des damaligen Bautenministers Wolfgang Sch\u00fcssel; Detailplanung in beiden Projekten: Norbert M\u00fcller; Foto: \u00a9 Wolfgang Thaler<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Ende des Regals<\/p>\n

Von links nach rechts: Foto von der Los Angeles Exkursion im Rahmen der Gastprofessur von Tom Maine, 1996; Video des Steinhauskonzertes von John Surman organisiert von Edek Bartz, 1996; Modell und Foto der Landesausstellung H\u00fcttenberg; das Foto von Gerald Zugmann aus 1995 hat 1999 zur nachtr\u00e4glichen Einladung f\u00fcr den Wettbewerb f\u00fcr das Reichsparteitagsgel\u00e4nde N\u00fcrnberg gef\u00fchrt; Video aus 2000 \u00fcber den Wettbewerb mit dokumentarischen Aufnahmen der nationalsozialistischen Masseninszenierungen.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Abschluss des Rundganges<\/p>\n

Rechts hinten: G\u00fcnther Domenig, Reichsparteitagsgel\u00e4nde N\u00fcrnberg 2001, Projektleitung: Gerhard Wallner, Wettbewerbsmodell, Isonometrisches Schaubild von Gerhard Wallner, Entwurfs-Skizzen von Peter Kaschnig, Mitte: Fotos von Gerhard Zugmann 2001; links vorne: Architektur Consult Eisenk\u00f6ck-Domenig-Peyker, Modell T-Center Wien, Projektleitung Christian Halm, Mitarbeit Entwurf Peter Kaschnig, Modell, Fotos Paul Ott 2003\u20132004; Foto: \u00a9 Wolfgang Thaler<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

22. Oktober 2022 bis 5. Februar 2023, Do\u2013Sa 10:00\u201318:00 | So 10:00\u201316:00<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text] Ausstellungskonzept In dieser Ausstellung wird bewusst KEINE klassische Biografie des Architekten…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":34,"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/pages\/59\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/tracingspaces.net\/wir-domenig\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}