{"id":47,"date":"2022-11-17T12:38:49","date_gmt":"2022-11-17T11:38:49","guid":{"rendered":"https:\/\/tracingspaces.net\/wir-domenig\/?page_id=47"},"modified":"2024-03-01T19:57:35","modified_gmt":"2024-03-01T18:57:35","slug":"exponate-leihgaben","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/wir-domenig\/exponate-leihgaben\/","title":{"rendered":"Exponate \/ Leihgaben"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Leihgaben<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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Architekturzentrum Wien, Sammlung<\/strong><\/p>\n

3d Objekte, Modelle:<\/span><\/p>\n

G\u00fcnther Domenig
\nElektra, B\u00fchnenbild und Kost\u00fcme,
\nOper Graz 1995
\nBrustpanzer des Orest, Edelstahl<\/p>\n

G\u00fcnther Domenig
\nLandesausstellung Knappenberg 1994 \/ H\u00fcttenberg Heft 1995
\nLandschaftsmodell Knappenberg, 44 x 56 x 13 hoch (in Plexiglassturz)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
G\u00fcnther Domenig, Wettbewerb Ballhausplatz Wien 1976, Tusche auf Transparentpapier, 122 x 159,5 cm, Zeichnung: Volker Giencke<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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Originalzeichnungen:<\/span><\/p>\n

G\u00fcnther Domenig
\nWettbewerb Ballhausplatz 1976
\n2 Zeichnungen, Tusche auf Transparentpapier
\n122 x 159,5 cm und 120 x 151 cm
\nZeichnungen: Volker Giencke<\/p>\n

G\u00fcnther Domenig
\nHumanic \u201eKnospe\u201c Alserstra\u00dfe 1978-79
\nZeichnung auf Transparentpapier
\n90 x 114,5 cm, Zeichnung: G\u00fcnther Domenig
\n68 x 78 cm, Zeichnung: Bernhard Copony<\/p>\n

G\u00fcnther Domenig
\nNix-Nuz-Nix, 1983
\nZeichnung, Tusche auf Transparentpapier; 67,5 x 97,5 cm
\nZeichnung: Andreas Gruber<\/p>\n

G\u00fcnther Domenig
\nSteinhaus, 1981-2008
\nBerechnungen der Geometrie
\n6 Zeichnungen auf Aquafix, je 30 x 35 bis 45 cm
\nAutor unbekannt<\/p>\n

Domenig & Wallner ZTGmbH
\nDokumentationszentrum Reichsparteitagsgel\u00e4nde, N\u00fcrnberg, 1999
\n2 Zeichnungen, Kugelschreiber auf Aquafix; je 33 x 58,5 cm
\nZeichnungen: Peter Kaschnig<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
Domenig & Wallner ZTGmbH, Dokumentationszentrum Reichsparteitagsgel\u00e4nde, N\u00fcrnberg, 1999
\n2 Zeichnungen, Kugelschreiber auf Aquafix; je 33 x 58,5 cm, Zeichnungen: Peter Kaschnig<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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Nachdrucke aus AzW Dauerausstellung:<\/span><\/p>\n

G\u00fcnther Domenig und Eilfried Huth
\nMehrzweckhalle der Schulschwestern in Graz Eggenberg, 1973\u20131977
\nDigitaldruck auf Aludipond
\nSchaubild, Zeichnung: Joe Kollegger<\/p>\n

Domenig & Wallner ZTGmbH
\nDokumentationszentrum Reichsparteitagsgel\u00e4nde, N\u00fcrnberg, 1998\u20132001
\nGesamtaxonometrie
\nDigitaldruck auf Aludipond
\nZeichnung: Gerhard Wallner<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
Domenig & Wallner ZTGmbH, Dokumentationszentrum Reichsparteitagsgel\u00e4nde, N\u00fcrnberg, 1998\u20132001
\nGesamtaxonometrie, Digitaldruck auf Aludipond, Zeichnung: Gerhard Wallner<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

\u00dcbernahmen fertiger Prints:<\/span><\/p>\n

G\u00fcnther Domenig und Eilfried Huth
\nFloraskin, 1971
\nReprint von Foto, Fotograf unbekannt<\/p>\n

G\u00fcnther Domenig und Eilfried Huth
\nOlympiade M\u00fcnchen, Schwimmhalle, 1972
\nReprint von Foto, Fotograf unbekannt<\/p>\n

G\u00fcnther Domenig
\nZ-Sparkasse Wien-Favoriten, 1975-79
\nReprint von Fotos aus dem Archiv Spiluttini<\/p>\n

G\u00fcnther Domenig
\nHumanic Alserstra\u00dfe 1980
\nReprint von Fotos aus dem Archiv Spiluttini<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
Bislang in keiner Publikation verzeichnete Mitarbeiter*innen beim Modellbau f\u00fcr den Wettbewerb Ballhausplatz Wien (heute: Bundesministerium f\u00fcr Inneres) im Jahr 1973 im Wiener B\u00fcro von G\u00fcnther Domenig. V.l.n.r.: Hubert Hermann, Christine Kapsreiter, G\u00fcnther Domenig, Gabriel Budas; Fotograf: Peter Hermann (lt. Information von Fitz Sch\u00f6ffauer damals Architektur-Studierende an der Hochschule f\u00fcr angewandte Kunst Wien), Foto: Architekturzentrum Wien, Sammlung<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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Scans und Reprints aus der Sammlung:<\/span><\/p>\n

G\u00fcnther Domenig
\nStrukturen, Workshop Kraiger Berg 1973
\nS\/W Foto, Reprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig und Eilfried Huth
\nMehrzwecksaal der Schulschwestern 1974-77
\nS\/W Foto Stahlgitter f\u00fcr Spritzbeton, Reprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig und Eilfried Huth
\nMehrzwecksaal Schulschwestern 1974-77
\n3 S\/W Fotos der H\u00fclle des fertigen Geb\u00e4udes, Reprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig
\nWettbewerb Ballhausplatz 1976
\n3 S\/W Fotos, Team beim Modellbauen, Reprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig
\nHumanic Alserstra\u00dfe 1980
\nS\/W Fotos, Fertigung der Vitrine in Metallwerkstatt,
\nReprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig
\nNix\u2013Nuz\u2013Nix, 1983
\n3 S\/W Fotos der Installation am Originalstandort,
\nReprint auf Aludipond
\nFotos: Helmut Tezak<\/p>\n

G\u00fcnther Domenig
\nDer Vogel verl\u00e4sst…
\nSteirischer Herbst 1984
\n1 Foto der Installation im Stollen, Reprint auf Aludipond
\nFotograf unbekannt<\/p>\n

G\u00fcnther Domenig
\nWettbewerb Technische Universit\u00e4t, 1983
\nBrosch\u00fcre im Eigenverlag,
\nDIN A4 Querformat,
\nkopiert und gelocht zum Durchbl\u00e4ttern<\/p>\n

G\u00fcnther Domenig
\nWettbewerb Technische Universit\u00e4t, 1983
\nS\/W Modellfoto: Laszlo Pap
\nReprint auf Aludipond<\/p>\n

G\u00fcnther Domenig
\nNeubau TU Lessingstra\u00dfe \u2013 2. Entwurf 1985
\nS\/W Modellfotos: Laszlo Pap
\nReprint auf Aludipond<\/p>\n

G\u00fcnther Domenig, Hermann Eisenk\u00f6ck und Partner
\nLKH Bruck, 1991-94, Projektleitung: Peter Zinganel
\nS\/W Modellfotos: Laszlo Pap
\nReprint auf Aludipond<\/p>\n

G\u00fcnther Domenig
\nFunder St. Veit, 1987-88, Projektleitung: Michael Zinganel
\nS\/W Modellfotos: Laszlo Pap
\nReprint auf Aludipond<\/p>\n

G\u00fcnther Domenig
\n2 Poster der Gastvortragsreihe am Institut f\u00fcr Geb\u00e4udelehre 1980-82
\nReprint auf Aludipond<\/p>\n

G\u00fcnther Domenig
\nManuskript der Antritts-Vorlesung Verwandlungen, 1982
\nDIN A3 Querformat, kopiert und gelocht zum Durchbl\u00e4ttern<\/p>\n

G\u00fcnther Domenig
\nCollage mit Dias von diversen Vorlesungen aus Geb\u00e4udelehre, 1981-86
\nGedruckt auf Folie, pr\u00e4sentiert auf Leuchtkasten<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n
\n

Architekten Domenig & Wallner ZT GmbH<\/strong><\/p>\n

3d Objekte, Modelle:<\/span><\/p>\n

G\u00fcnther Domenig
\nNeubau TU Lessingstra\u00dfe, 2. Entwurf 1984
\nModell, 60 x 80cm<\/p>\n

G\u00fcnther Domenig und Hermann Eisenk\u00f6ck
\nRESOWI, 1985,
\nWettbewerbsmodell, 200 x 45cm<\/p>\n

G\u00fcnther Domenig
\nB\u00fchnenbild und Kost\u00fcme f\u00fcr die Oper Elektra, 1995
\nPuppe mit Kost\u00fcm, Kopfbedeckung und Stab<\/p>\n

G\u00fcnther Domenig
\nDokumentationszentrum N\u00fcrnberg
\nWettbewerbsmodell 1998-99<\/p>\n<\/div>\n

<\/div>\n
\n

Originalzeichnungen:<\/span><\/p>\n

G\u00fcnther Domenig
\nZ-Sparkasse Wien-Favoriten, 1975-79
\nZeichnung auf Transparentpapier gerahmt, 108,5 x 147 cm<\/p>\n<\/div>\n

Gerhard Wallner
\nDer Pfahl, Diplomarbeit \u00a01990,
\nHandzeichung, Bleistift auf Papier, gerahmt, 32,4 x 92 cm<\/div>\n
<\/div>\n
Video:<\/span><\/div>\n
<\/div>\n
Steinhauskonzerte: \u201eJohn Surman im Steinhaus\u201c
\nEigenproduktion 1996, 40:26 min<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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Hermann Eisenk\u00f6ck, Architektur Consult<\/strong><\/p>\n

Originalzeichnungen:<\/span><\/p>\n

G\u00fcnther Domenig
\nSteinhaus, 1981-2008
\nHermann Eisenk\u00f6ck, 3 Original-Skizzen Steinhaus, 1981, je 29 x 42 cm, gerahmt<\/p>\n

G\u00fcnther Domenig
\nSteinhaus, 1981-2008
\nGerhard Wallner, 1 Original-Skizze Steinhaus, 62 x 49cm, gerahmt<\/p>\n

Modell:<\/span><\/p>\n

Architektur Consult
\nT-Center, Wien Erdberg, 2004
\nModell und Katalog<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Steinhaus G\u00fcnther Domenig Privatstiftung <\/strong><\/p>\n

Modell:<\/span><\/p>\n

Steinhaus, Arbeitsmodell, 1986-88
\nHolz, Karton, Acrylglas, 120 x 650 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Sammlung Liaunig<\/strong><\/p>\n

Originalzeichnungen<\/span><\/p>\n

Rikki Reiner, 1983
\nBunt- und Bleistift auf Transparentpapier, 28 x 23,5 cm<\/p>\n

TU Neubau, 1. Entwurf, 1983
\nBuntstift, Bleistift auf Papier, 27,5 x 20 cm<\/p>\n

TU Neubau, 2. Entwurf, 1984
\nBuntstift, Bleistift auf Papier, 27,5 x 20 cm<\/p>\n

Funder St. Veit, 1987
\nBleistiftzeichnung auf Seidenpapier, 33,5 x 47 cm<\/p>\n

Axonometrie Schloss Neuhaus, 1991
\nBunt- und Bleistift auf Papierplanplot, 83,5 x 93,5 cm<\/p>\n

Orest, 1995
\nBleistift und Buntstift auf Papier, 41,5 x 29,2 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Andreas Pulides<\/strong><\/p>\n

Originalzeichnungen:<\/span><\/p>\n

G\u00fcnther Domenig
\nZ-Sparkasse Wien-Favoriten, 1975-79
\nZeichnung auf Transparentpapier gerahmt<\/p>\n

\n
G\u00fcnther Domenig<\/div>\n
B\u00fchnenbild und Kost\u00fcme f\u00fcr die Oper Elektra, 1995<\/div>\n
Zeichnungen auf Papier<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Matthias Castorph
\nInstitut f\u00fcr Entwerfen im Bestand und Denkmalpflege<\/strong><\/p>\n

Objekte:<\/span><\/p>\n

G\u00fcnther Domenig
\n5 St\u00fchle aus der Kirche Oberwart, Kunststoff, 52 x 59 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Bibliothek der TU Graz und Institut f\u00fcr Geb\u00e4udelehre<\/strong><\/p>\n

B\u00fccher:<\/span><\/p>\n

Diverse am Institut betreute Diplomarbeiten, 1981 bis 1996<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Nachlass Walter Pichler<\/strong><\/p>\n

Originalzeichnungen:<\/span><\/p>\n

Walter Pichler, Kopf M.K. 2000,
\nBleistift, Tusche, Tempera, 52 x 62 cm mit Rahmen<\/p>\n

Walter Pichler, F\u00fc\u00dfe auf dem Kopf,
\nBleistift, Tusche, Tempera, 45 x 62cm mit Rahmen<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Christian Fr\u00f6hlich<\/strong><\/p>\n

Videos:<\/span><\/p>\n

\u201e\u00dcber Domenig\u201c, Interviewserie von Christian Fr\u00f6hlich und G\u00fcnter Koberg,
\nproduziert f\u00fcr anl\u00e4sslich des 70. Geburtstages von G\u00fcnther Domenig an der TU Graz, 2004<\/p>\n

Volker Giencke, 37:49 min.
\nGiselbert Hoke, 37:04 min.
\nEilfried Huth, 59:20 min.
\nPeter Noever, 27:03 min.
\nWalter Pichler, 41:14 min.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

ORF-TVthek<\/strong><\/p>\n

Videos<\/span><\/p>\n

trigon 67: \u201eNachtstudio \u2212 Trigon 67\u201c
\nORF-Sendung vom 12.10.1967, 127:41 min.<\/p>\n

Mehrzwecksaal der Schulschwestern: \u201e\u00d6sterreich-Bild am Sonntag \u2212 Perspektiven\u201c
\nORF-Sendung vom 4.3.1979, 24:32 min.<\/p>\n

Architektur muss brennen: \u201e10 vor 10 \u2212 COOP HIMMELBLAU\u201c
\nORF-Sendung vom 8.1.1981, Ausschnitt 01:35 min.<\/p>\n

Installation im Schlo\u00dfbergstollen: \u201eArchitekturvision 1984 \u2212 Steirischer Herbst 1984\u201c
\nORF-Sendung vom 25.10.1984, 44:50 min.<\/p>\n

Das Steinhaus: \u201eKunst-St\u00fccke \u2212 Das Steinhaus \u2212 Architekturvisionen werden Wirklichkeit\u201c
\nORF-Sendung vom 6.1.1989, 45:12 min.<\/p>\n

Wohnung f\u00fcr Linda Pelzmann: \u201eK\u00e4nrten heute \u2212 Star-Architekten\u201c
\nORF-Sendung vom 19.8.1993, 03:10 min.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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Reiner Holzemer Film<\/strong><\/p>\n

Video<\/span><\/p>\n

Dokumentationszentrum Reichsparteitagsgel\u00e4nde. Ein Projekt der Stadt N\u00fcrnberg
\nRegie: Reiner Holzemer im Auftrag der Museen der Stadt N\u00fcrnberg, 2000, 14:15 min.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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David Schreyer<\/strong><\/p>\n

Foto:<\/span><\/p>\n

Kirchenzentrum Oberwart, 2013<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]\n

Gerald Zugmann<\/strong><\/p>\n

Fotos:<\/span><\/p>\n

MAK Ausstellung, 1988
\n4 Farbfotos auf Aludipond, 24 x 24 cm<\/p>\n

1 Architektur muss brennen, 1980
\n5 Steinhaus, 1988 \/ 1999
\n3 Funder, 1988
\n1 H\u00fcttenberg, 1995
\n4 Dokumentationszentrum N\u00fcrnberg, 2001
\nalle S\/W Silvergelatine Prints, 67,5 x 57,5 cm gerahmt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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