{"id":293,"date":"2018-08-03T12:00:24","date_gmt":"2018-08-03T10:00:24","guid":{"rendered":"https:\/\/tracingspaces.net\/holidays-after-the-fall\/?page_id=293"},"modified":"2019-04-09T17:42:05","modified_gmt":"2019-04-09T15:42:05","slug":"buch","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/holidaysafterthefall\/buch\/","title":{"rendered":"Buch"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
\"\"<\/a><\/div><\/div>[\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_custom_heading text=“The Book: Holiday after the Fall.
\nSeaside Architecture and Urbanism in Bulgaria and Croatia“ font_container=“tag:h2|font_size:25|text_align:left|color:%230925f9|line_height:1.5″ use_theme_fonts=“yes“][vc_column_text]Edited by Elke Beyer, Anke Hagemann and Michael Zinganel, Berlin: jovis, 2013.
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Text contributions by Elke Beyer, Anke Hagemann, Norbert Mappes-Niediek, Maroje Mrdulja\u0161, Michael Zinganel, et al.
\nWith photographs by Nikola Mihov, ccn-images Zagreb, et al.; Graphic design: Studio Katja Gretzinger<\/p>\n

ENGLISH, 272 Pages, with num. col. and b\/w plans and illustrations
\nSoftcover, Dimensions: 17 x 24 cm<\/p>\n

Euro 29.80 | ISBN 978-3-86859-226-9<\/p>\n

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This book went to print at a time when critical discussion about tourism development (and the sometimes reckless neglect, in recent years, of regulatory planning) is on the rise in Bulgaria and Croatia. Although their political paths and planning cultures have radically diverged in state socialist and capitalist contexts, the two countries now face the same issues: firstly, how best to develop and maintain their respective coastal regions, both as a vital economic resource and as a natural and cultural asset accessible to all; and, secondly, how to evaluate the (built) legacies of the state socialist era.<\/p>\n

Thus, the focus of this volume is the initial construction and use of explicitly modern leisure resorts and hotels, as well as the various metamorphoses they have undergone in the intervening decades, from the planning processes initiated in the state socialist era through to post-socialist restructuring. The contributions compiled here address not only the many ways in which the resorts and individual structures have been physically restructured since the collapse of state socialism, or the new types of tourism architecture to be found in Bulgaria and Croatia since the deregulation of real estate; they deal also with economic change, which is to say, with revised models of mass tourism and the passage of ownership, investment and management into the hands of the respective countries\u2019 new elites.<\/p>\n

By way of introduction, Elke Beyer and Michael Zinganel present a survey of the origins and architectural history of mass tourism after World War II. The main part of the book is divided into two sections, one devoted to the Bulgarian Black Sea coast, the other to the Croatian Adriatic. In each section, an extensive overview of the region\u2019s development is followed by eight or nine case studies: accounts of the fate of individual hotels or resorts, illustrating the broad spectrum of physical and economic restructuring, from dereliction, to refurbishment or conversion. In the first section, Elke Beyer and Anke Hagemann discuss different phases of urban planning and architectural development in Bulgarian seaside resorts. In six chapters devoted to individual resorts, they demonstrate how radically both public images and architectural interpretations of Bulgaria\u2019s Black Sea coast \u2013 the \u2018tourist product\u2019 \u2013 have shifted from era to era, from the first centrally planned holiday resorts of the late 1950s through to the 1970s mass resorts, from different models of privatization to the consequences of \u2018boom and bust\u2019 construction on the Black Sea coast today. The second section on Croatian tourism architecture consists of three chapters with different thematic approaches: Michael Zinganel describes the transition from \u2018social tourism\u2019 \u2013 the \u2018ideologically sound\u2019 state-subsidized workers\u2019 holiday \u2013 to market-oriented, commercial mass tourism. Maroje Mrdulja\u0161 traces the planning history of socialist mass tourism resorts on the Croatian Adriatic. His contribution, in combination with a series of analytical drawings by Kerstin Stramer and Michael Zinganel, explores how different architectural typologies were used to integrate hotel buildings in the landscape, and how their specially commissioned modernist interiors fostered innovative design. Norbert Mappes-Niediek introduces the model of workers\u2019 self-management, (which was widely adopted in Yugoslavia\u2019s tourism sector), analyzes the reasons for Croatia\u2019s very hesitant, complex and still on-going privatization process, and shows how certain parties have stopped at nothing to gain a competitive edge.<\/p>\n

Two photo series frame the analytical section of the book. It begins with a series from the archives of the Zagreb travel agency Turistkomerc, showing freshly built hotel architectures on the Croatian Adriatic in an early 1970s glam aesthetic; and it ends with a series by Bulgarian photographer Nikola Mihov, who took a trip through the Bulgarian Black Sea coast\u2019s overdeveloped holiday landscapes in late September 2012 and captured their low-season air of desertion for this book.<\/p>\n

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Introduction to the book and a preview of the illustrations<\/a><\/p>\n

Order the book and see a PDF preview at jovis publisher Berlin<\/a>[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]This publication was produced by Tracing Spaces based on a research project conducted at the Institute for Building Typology, Faculty of Architecture, Graz University of Technology. The publication was printed with the kind support of:<\/p>\n

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