{"id":280,"date":"2018-08-03T11:53:08","date_gmt":"2018-08-03T09:53:08","guid":{"rendered":"https:\/\/tracingspaces.net\/holidays-after-the-fall\/?page_id=280"},"modified":"2023-12-23T18:19:11","modified_gmt":"2023-12-23T17:19:11","slug":"exhibition-enjoying-the-fruits","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/holidaysafterthefall\/en\/exhibition-enjoying-the-fruits\/","title":{"rendered":"Exhibition Enjoying the fruits"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_custom_heading text=“Ausstellung: Enjoying the Fruits
\nof Yugoslavia\u2019s Third Way“ font_container=“tag:h2|font_size:24|text_align:left|color:%232e30c9″ use_theme_fonts=“yes“]
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Tracing for Clues in Hotels and Ruins of Late Modernity<\/h3>\n[\/vc_column_text]
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Exhibition at<\/h4>\n

Galerie Gebhart Blazek. Berber-Arts Leonhardstrasse 12, 8010 Graz \/ Austria<\/h4>\n

March 4 to April 8 2016<\/p>\n

 <\/p>\n

Modern art, interior design and furniture played a crucial role in the development of the new ambitious hotels and resorts built during the 1960s and 70s at the Yugoslavian Adriatic coast. Tourism had been considered as a tool for the modernisation of the Yugoslav society and the hotels had been intended to be also show-cases and stages to display the success of the Third Way to both domestic an foreign guests.<\/p>\n

Holidays by Austrian citizens to then socialist Yugoslavia \u2013 mostly to the Croatian Adriatic coast \u2013 therefore represented not only a trip into a deviant political system but also an aesthetic experience of Modernity, that significantly differed from the rustic Austrian tourism landscape.<\/p>\n

What then had been restricted to elitist avant-garde art exhibitions in Austria (e.g. the Trigon series in Graz starting in 1963), was implemented into buildings for mass tourism and consumption also addressing the working and middle class. This is why the current exhibition in Graz is shown in the \u201cshowcase\u201d of a commercial gallery in the midst of the City\u2019s public space.<\/p>\n

Hotel interiors bygone by innovation, demolition and plunder, will be shown by paper walls based on old photographs, with reproductions of painting and enamels by Edo Murti\u0107, sculptures by Du\u0161an D\u017eamonja, tapestry by Jagoda Bui\u0107, designs for interior and furniture by Bernardo Bernardi, Zdravko Bregovac, and Igor Emili. Furthermore presented are original objects recently found in hotels of the 1960s and 70s that would be highly desired collector items in many other nations, sold in vintage-design shops. These historical artefacts will be juxtaposed by a few works of contemporary artists dealing with the legacy of Socialist Modernisation in Tourism in Croatia, e.g. paintings by Moni K. Huber, video- und photo works by Daniele Ansidei, Ryan S. Jeffery, and Slaven Tolj.<\/p>\n

Curator: Michael Zinganel<\/p>\n

 <\/p>\n

Roundtable in the Gallery
\nWednesday, March 16 2016 5 p.m.<\/h4>\n

About the synthesis of architecture, art, design and lifestyle and the appropriation by locals in tourism projects in non-aligned Yugoslavia<\/p>\n

Maroje Mrdulja\u0161, architecture critic and curator from Zagreb, editor of the architecture magazine ORIS, and co-editor and co-curator of e.g. \u201cUnfinished Modernizations \u2013 Between Utopia and Pragmatism\u201c and \u201cModernism in Between. The Mediatory Architectures of Socialist Yugoslavia\u201c (jovis 2012)
\nNata\u0161a Bodro\u017ei\u0107\/ Sa\u0161a \u0160impraga, cultural workers from Zagreb, initiators and organizers of an activist project for re-evaluating and preserving Yugoslav modernist architectural heritage in Croatia, with the focus on the Adriatic motels by Ivan Viti\u0107. Editors of the book MOTEL TROGIR: It is not Future that Always Comes After (Onomatopee\/ Loose Associations, 2016)
\nMichael Zinganel, cultural historian, curator and co-founder of Tracing Spaces, co-editor of the publication \u201cHolidays after Fall. Seaside Architecture in Bulgaria and Croatia\u201c (jovis 2013) und curator of the current exhibition<\/p>\n

 <\/p>\n

Architektur in Serie: March 17 8 p.m.
\nFORUM STADTPARK, Stadtpark 1, 8010 Graz<\/h4>\n

Revisiting the Affordable Paradise
\nModernist hotels und resorts at the Croatian Adriatic in historical commercials and current video productions<\/p>\n

Sonne \u00fcber der Adria, Regie: Karl Georg K\u00fclb, BRD\/Yugoslavia 1954; Dobro do\u0161li Primo\u0161ten, Commercial, Zastava Film, Yugoslavia 1971; Hotel Palace Malinska\/Krk, Documentation, Yugoslavia 1972, 12 min.; Hotel Libertas Dubrovnik, Commercial, Yugoslavia 1976, 30 min.; Kanegra, Katharina Copony, Austria 2004, 50 min.; Merely Human, Music Clip, Eva Vidan Gallagher and Filip Koludrovic, Croatia\/USA 2013, 3,44 min.; Frontstage\u2013Backstage, Andrea Seidling, Croatia\/Austria 2015, 15 min.<\/p>\n

with Andrea Seidling
\nmoderated by Michael Zinganel[\/vc_column_text]

<\/div><\/div>[\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_gallery type=“flexslider_style“ images=“386,392,389,390,388,393,387,391″ onclick=“link_no“][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Eine Co-Produktion von Gebhart Blazek. Berber-Arts, Forum Stadtpark und Michael Zinganel finanziert durch das Amt der Steierm\u00e4rkischen Landesregierung Abt. 9 Kultur, Europa und Au\u00dfenbeziehungen im Rahmen des Calls f\u00fcr Grenz\u00fcberschreitende Kunst- und Kulturprojekte 2015 Spuren der Freundschaft<\/em><\/p>\n

mit freundlicher Unterst\u00fctzung der Unternehmen Valamar und Laguna Pore\u010d\/Kroatien, der Galerie Michaela Stock und Zoran Balog[\/vc_column_text]

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\"\"<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“2\/3″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_custom_heading text=“Ausstellung: Enjoying the Fruits of Yugoslavia\u2019s Third Way“ font_container=“tag:h2|font_size:24|text_align:left|color:%232e30c9″ use_theme_fonts=“yes“][vc_column_text] Tracing…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-280","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/pages\/280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/comments?post=280"}],"version-history":[{"count":6,"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/pages\/280\/revisions"}],"predecessor-version":[{"id":486,"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/pages\/280\/revisions\/486"}],"wp:attachment":[{"href":"https:\/\/tracingspaces.net\/holidaysafterthefall\/wp-json\/wp\/v2\/media?parent=280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}