{"id":538,"date":"2021-04-30T16:44:47","date_gmt":"2021-04-30T14:44:47","guid":{"rendered":"https:\/\/tracingspaces.net\/heavenandhell\/?page_id=538"},"modified":"2024-06-04T17:52:49","modified_gmt":"2024-06-04T15:52:49","slug":"news","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/heavenandhell\/news\/","title":{"rendered":"News"},"content":{"rendered":"[vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<p style=\"text-align: center;\">Im Dezember 2023 erschien der Katalog zum Projekt | In December 2023 the new catalog was presented<\/p>\n<p style=\"text-align: center;\">Am 3. Juni 2024 wurde der Katalog beim Preis f\u00fcr &#8222;Die sch\u00f6nsten B\u00fccher \u00d6sterreichs 2023&#8220; ausgezeichnet | On June 3, 2024, the catalog was awarded a prize for &#8222;Austria&#8217;s most beautiful books from 2023&#8220;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-border-radius=\"none\"><div class=\"inner\"><img loading=\"lazy\" decoding=\"async\" data-shadow=\"none\" data-shadow-direction=\"middle\" class=\"img-with-animation \" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/tracingspaces.net\/heavenandhell\/wp-content\/uploads\/sites\/14\/2023\/12\/SerpentineBook_Front_Cover_20231214_Screen-1-pdf.jpg\"  alt=\"\" \/><\/div><\/div>[\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-border-radius=\"none\"><div class=\"inner\"><img loading=\"lazy\" decoding=\"async\" data-shadow=\"none\" data-shadow-direction=\"middle\" class=\"img-with-animation \" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/tracingspaces.net\/heavenandhell\/wp-content\/uploads\/sites\/14\/2023\/12\/SerpentineBook_Back_Cover_20231214_Screen-1-pdf.jpg\"  alt=\"\" \/><\/div><\/div>[\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<p style=\"text-align: center;\">Herausgeber | Editor: Michael Zinganel<br \/>\nGrafische Gestaltung | Graphic design: Theresa Hattinger<\/p>\n<p style=\"text-align: center;\">ISBN 978-3-901371-14-1<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;center&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220; shape_type=&#8220;&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][nectar_btn size=&#8220;small&#8220; open_new_tab=&#8220;true&#8220; button_style=&#8220;see-through-2&#8243; hover_text_color_override=&#8220;#ffffff&#8220; icon_family=&#8220;none&#8220; url=&#8220;https:\/\/tracingspaces.net\/heavenandhell\/katalog-catalog\/&#8220; text=&#8220;Zum Katalog | Catalog&#8220;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 30px;\" class=\"divider\"><\/div><\/div><div class=\"divider-wrap\"><div style=\"height: 30px;\" class=\"divider\"><\/div><\/div>[vc_column_text]\n<p style=\"text-align: center;\"><strong>Freitag, 7. Oktober 2022<\/strong><br \/>\n<strong>Gef\u00fchrte Busexkursion zu den Kunstwerken<\/strong><\/p>\n<p style=\"text-align: center;\">mit Hildegard Fraueneder,<br \/>\nKunsthistorikerin,\u00a0Vorsitzende des Fachausschuss f\u00fcr\u00a0Kunst am Bau und Initiatorin des Projektes<br \/>\nund Michael Zinganel,<br \/>\nK\u00fcnstler, Architekt, Kulturhistoriker, Kurator der Projektes<\/p>\n<p style=\"text-align: center;\">Organisation:\u00a0Christina Tscherteu,<br \/>\nGesch\u00e4ftsf\u00fchrerin Fonds zur F\u00f6rderung von Kunst am Bau\u00a0&amp; Kunst im \u00f6ffentlichen Raum<br \/>\nVerbindliche Anmeldung bis sp\u00e4testens 5. Oktober:<br \/>\n<a href=\"mailto:kunstambau@salzburg.gv.at\">kunstambau@salzburg.gv.at<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 40px;\" class=\"divider\"><\/div><\/div>[vc_video link=&#8220;https:\/\/www.youtube.com\/watch?v=KT04yW6lPm4&#8243; align=&#8220;center&#8220;][vc_column_text]\n<h6 style=\"text-align: center;\">Videodokumentation anl\u00e4sslich der verregneten 2. Er\u00f6ffnung am 25. Juni 2021 \u00a9 Franz Neumayer f\u00fcr die Gro\u00dfglockner Hichalpenstra\u00dfen AG<\/h6>\n[\/vc_column_text]<div class=\"divider-wrap\"><div style=\"height: 40px;\" class=\"divider\"><\/div><\/div>[\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<h3 id=\"line1\" style=\"text-align: center;\"><span id=\"line2\"><\/span>\u00a0<span style=\"font-family: Inter; font-size: 40pt;\">SERPENTINE<br \/>\n<\/span><span style=\"font-family: Inter; font-size: 40pt;\">A TOUCH OF HEAVEN <\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"font-family: Inter; font-size: 40pt;\">(AND HELL)<\/span><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 20px;\" class=\"divider\"><\/div><\/div>[vc_column_text]\n<p style=\"text-align: center;\">Tempor\u00e4re Kunstinterventionen entlang der Gro\u00dfglockner Hochalpenstra\u00dfe<br \/>\nTemporary art interventions along the Grossglockner High Alpine Road<\/p>\n<p style=\"text-align: center;\">Mit | With: Iris Andraschek &amp; Hubert Lobnig, Thomas H\u00f6rl &amp; Peter Kozek,<br \/>\nRalo Mayer, Anna Meyer und Hannes Zebedin<\/p>\n<p style=\"text-align: center;\">KURATOR | CURATOR: Michael Zinganel<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;full_width_background&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220; shape_type=&#8220;&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 20px;\" class=\"divider\"><\/div><\/div>[vc_column_text]\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"Abladen des Eisb&amp;auml;ndigers\" src=\"https:\/\/player.vimeo.com\/video\/573047972?badge=0&amp;allow=\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<h6 style=\"text-align: center;\">24. Juni 2021: Ankunft der neuen Kunstwerke | June 24, 2021: Arrival fo new art works<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 30px;\" class=\"divider\"><\/div><\/div>[\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Zeitgen\u00f6ssische Kunstwerke kommentieren das hochalpine Fahr- und Natur-Erlebnis entlang der denkmalgesch\u00fctzten Gro\u00dfglockner Hochalpenstra\u00dfe. Bereits seit August 2020 waren 12 Gem\u00e4lde und 4 Skulpturen ausgestellt. Mit 25. Juni 2021 sind zwischen dem Haus Alpine unter dem Fuscher T\u00f6rl, dem Kasereck und der Kaiser-Franz-Josefs-H\u00f6he weitere Gem\u00e4lde, Skulpturen und ein &#8222;Container-Kino&#8220; am Berg zu sehen:<\/span><\/div>\n<\/div>\n<div class=\"\" style=\"text-align: left;\"><\/div>\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Contemporary works of art comment the adventure of consuming the landscape while driving along the listed Grossglockner High Alpine Road. Already in 2020, 12 paintings and 4 sculptures were on display. From 25 June 2021, more paintings, large sculptures and a &#8222;container cinema&#8220; had been be added on the mountain between the Haus Alpine Naturschau under the Fuscher T\u00f6rl, the Kasereck and the Kaiser-Franz-Josefs-H\u00f6he:[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_gallery type=&#8220;nectarslider_style&#8220; images=&#8220;595,594,590&#8243; flexible_slider_height=&#8220;true&#8220; bullet_navigation=&#8220;true&#8220; bullet_navigation_style=&#8220;see_through&#8220; onclick=&#8220;link_image&#8220; img_size=&#8220;600&#215;400&#8243;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Thomas H\u00f6rl, Peter Kozek und Victor Jaschke zeigen <\/span><span class=\"\">in einem kleinen Non-Stop<\/span><span class=\"\">\u00a0Auto-<\/span><span class=\"\">Kino<\/span><span class=\"\"> ihren Film LICHTH\u00d6HE, der 2020 vorrangig zu Nachtzeiten gedreht wurde, als die Film-Crew den Berg ganz f\u00fcr sich <\/span><span class=\"\">alleine<\/span><span class=\"\">\u00a0<\/span><span class=\"\">hatte. Die bezaubernden traumartigen Bilder werden hier an einer Gel\u00e4ndekante neben dem Naturkundehaus der touristischen Realit\u00e4t gegen\u00fcbergestellt.<\/span><\/div>\n<\/div>\n<div class=\"\" style=\"text-align: left;\"><\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Thomas H\u00f6rl and Peter Kozek will show their film LICHTH\u00d6HE for the first time in a small non-stop &#8218;drive-in&#8216; cinema, which was shot in 2020 primarily at night times when the film crew had the mountain all to themselves. On a terrain edge next to the Natural History House the enchanting dreamlike images are juxtaposed here with tourist reality.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;center&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220; shape_type=&#8220;&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][nectar_btn size=&#8220;small&#8220; open_new_tab=&#8220;true&#8220; button_style=&#8220;see-through-2&#8243; hover_text_color_override=&#8220;#ffffff&#8220; icon_family=&#8220;none&#8220; url=&#8220;https:\/\/kunstund.blogspot.com\/2022\/04\/andere-impressionen-vom-groglockner.html&#8220; text=&#8220;\u00dcber das Video&#8220;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_gallery type=&#8220;nectarslider_style&#8220; images=&#8220;604,603,632&#8243; flexible_slider_height=&#8220;true&#8220; bullet_navigation=&#8220;true&#8220; bullet_navigation_style=&#8220;see_through&#8220; onclick=&#8220;link_image&#8220; img_size=&#8220;600&#215;400&#8243;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Ralo Mayer foliert die legend\u00e4re Rotations-Schneefr\u00e4se \u201eEisb\u00e4ndiger\u201c von Ing. Wallack aus 1954, einem Prototypen f\u00fcr die Naturbeherrschung durch Technik, mit einem grafischen Muster aus Geschichte(n) der Strasse. Die Schneefr\u00e4se wird dadurch zum \u201eErlk\u00f6nig&#8220;, wie die Testfahrzeuge vom Autoherstellern, die am Glockner ihre Bew\u00e4hrungsprobe erfahren.<br \/>\n<\/span><\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Ralo Mayer foils the legendary rotary snow blower &#8222;Eisb\u00e4ndiger&#8220; by Ing. Wallack from 1954, a prototype for the mastery of nature through technology, with a graphic pattern of history(s) of the road. The snow blower thus becomes an &#8222;Erlk\u00f6nig&#8220;, like the test vehicles from car manufacturers that undergo their acid test on the Glockner.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_gallery type=&#8220;nectarslider_style&#8220; images=&#8220;597,598,599,600,601&#8243; flexible_slider_height=&#8220;true&#8220; bullet_navigation=&#8220;true&#8220; bullet_navigation_style=&#8220;see_through&#8220; onclick=&#8220;link_image&#8220; img_size=&#8220;600&#215;400&#8243;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Hannes Zebedin errichtet eine Doppelskulptur, deren Bauweise sich an den Lawinenverbauungen orientiert, die hier im Hochgebirge Tourist*innen wie Nutztiere gleichermassen sch\u00fctzen. Er steckt damit zwei kreisrunde Territorien ab, die Schutz- und Abwehrbed\u00fcrfnisse, Ein- und Ausschlussmechanismen von Grenzen thematisieren \u2013 jene zwischen Kulturraum und Naturraum ebenso wie die zwischen Nationen und Nationenverb\u00e4nden.<br \/>\n<\/span><\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Hannes Zebedin erects a double sculpture whose construction is based on the avalanche barriers that protect tourists and farm animals alike here in the high mountains. In doing so, he delineates two circular territories that address the need for protection and defence, the inclusion and exclusion mechanisms of borders &#8211; those between cultural space and natural space as well as those between nations and associations of nations.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_gallery type=&#8220;nectarslider_style&#8220; images=&#8220;587,588,592&#8243; flexible_slider_height=&#8220;true&#8220; bullet_navigation=&#8220;true&#8220; bullet_navigation_style=&#8220;see_through&#8220; onclick=&#8220;link_image&#8220; img_size=&#8220;600&#215;400&#8243;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Iris Andraschek &amp; Hubert Lobnig kommentieren in der neuen Installation FROST den Klimawandel, indem sie in Blickbeziehung zum schmelzenden Gletscher ein weiteres Auto als Display ausstellen, dessen Innenraum hier mit K\u00fchlaggregaten zum \u201eFrieren&#8220; gebracht wird.<\/span><\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]In their new installation FROST, Iris Andraschek &amp; Hubert Lobnig comment on climate change by setting up another car as a display in view of the melting glacier, the interior of which is made to &#8222;freeze&#8220; with cooling units.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_gallery type=&#8220;nectarslider_style&#8220; images=&#8220;615,619,618&#8243; flexible_slider_height=&#8220;true&#8220; bullet_navigation=&#8220;true&#8220; bullet_navigation_style=&#8220;see_through&#8220; onclick=&#8220;link_image&#8220; img_size=&#8220;600&#215;400&#8243;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div style=\"text-align: center;\">\n<div class=\"\">\n<div class=\"\" style=\"text-align: left;\"><span class=\"\">Anna Meyer erweitert <\/span><span class=\"\">ihre dystopische feministische Kritik der \u00dcberformung der Natur um<\/span><span class=\"\">\u00a0<\/span><span class=\"\">ein zus\u00e4tzliches gro\u00dfes Billboard.<\/span><span class=\"\">\u00a0Das Sujet in OPERATION AM OFFENEN GLETSCHER zeigt den Gro\u00dfglockner als reparaturbed\u00fcrftiges \u201eSportger\u00e4t&#8220; in Sichtachse mit dem &#8222;Caneletto-Blick&#8220; der \u00f6sterreichischen Alpen, wie er in etlichen ber\u00fchmten Gem\u00e4lden m\u00e4nnlicher Landschaftsmaler des 19. Jahrhunderts dargestellt wurde.\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Anna Meyer extends her dystopian feminist critique of the over-forming of nature with an additional large billboard. The subject in OPERATION AM OFFENEN GLETSCHER shows the Gro\u00dfglockner as a &#8222;piece of sports equipment&#8220; in need of repair, in line of sight with the &#8222;Caneletto view&#8220; of the Austrian Alps as depicted in several famous paintings by male landscape painters of the 19th century.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 10px;\" class=\"divider\"><\/div><\/div>[\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<div class=\"\" style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><span class=\"\">Bis 29. August 2021 lief auch die Ausstellung in der Au\u00dfenstelle MMKK Klagenfurt | <\/span>Until 29 August 2021 we also offered a parallel exhibition at our &#8218;outpost&#8216; at MMKK Klagenfurt <span class=\"\">\u00a0<\/span><\/span><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Parallel zu dem zweij\u00e4hrig angelegten k\u00fcnstlerischen Projekt im \u00f6ffentlichen touristischen Raum entlang der Gro\u00dfglockner Hochalpenstra\u00dfe zeigt das MMKK rund um das ber\u00fchmte Glocknergem\u00e4lde von Markus Pernhart aus dem Jahr 1860 filigranere Bilder, Skulpturen und Installationen, die der extremen Witterung am Berg nicht standhalten w\u00fcrden \u2013 oder die erst parallel zur Arbeit am Berg durch die Inspiration vor Ort und im Museum entstanden sind.[\/vc_column_text][\/vc_column][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/2&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]Parallel to the two-year public art project along the Grossglockner High Alpine Road, the MMKK is showing additional pictures and installations around the famous 1860 Glockner painting by Markus Pernhart: more filigree pictures, sculptures, and installations which would not withstand the extreme weather conditions on the mountain \u2013 or which were created parallel to the work on the mountain through the inspiration on site and in the museum.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text]\n<p style=\"text-align: center;\">Ausstellung | Exhibition MMKK<\/p>\n<ol style=\"text-align: center;\" start=\"11\">\n<li>Juni bis 29. August 2021 | 11 June to 29 August 2021<\/li>\n<\/ol>\n<p style=\"text-align: center;\">Museum Moderner Kunst K\u00e4rnten, Burggasse 8, 9021 Klagenfurt am W\u00f6rthersee, Austria<\/p>\n<p style=\"text-align: center;\">T: +43(0)50.536.16252 \u00b7 <a href=\"http:\/\/www.mmkk.at\/\">www.mmkk.at<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;center&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220; shape_type=&#8220;&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][nectar_btn size=&#8220;small&#8220; open_new_tab=&#8220;true&#8220; button_style=&#8220;see-through-2&#8243; hover_text_color_override=&#8220;#ffffff&#8220; icon_family=&#8220;none&#8220; url=&#8220;https:\/\/tracingspaces.net\/heavenandhell\/mmkk\/&#8220; text=&#8220;Infos und Photos zur Ausstellung &#8222;][\/vc_column][\/vc_row][vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"divider-wrap\"><div style=\"height: 40px;\" class=\"divider\"><\/div><\/div><div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-border-radius=\"none\"><div class=\"inner\"><img loading=\"lazy\" decoding=\"async\" data-shadow=\"none\" data-shadow-direction=\"middle\" class=\"img-with-animation \" data-delay=\"0\" height=\"94\" width=\"476\" data-animation=\"fade-in\" src=\"https:\/\/tracingspaces.net\/heavenandhell\/wp-content\/uploads\/sites\/14\/2020\/07\/serpentine_logos_landscape_02-1.png\" srcset=\"https:\/\/tracingspaces.net\/heavenandhell\/wp-content\/uploads\/sites\/14\/2020\/07\/serpentine_logos_landscape_02-1.png 476w, https:\/\/tracingspaces.net\/heavenandhell\/wp-content\/uploads\/sites\/14\/2020\/07\/serpentine_logos_landscape_02-1-300x59.png 300w\" sizes=\"auto, 100vw\" alt=\"\" \/><\/div><\/div>[\/vc_column][\/vc_row][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;]<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-border-radius=\"none\"><div class=\"inner\"><img loading=\"lazy\" decoding=\"async\" data-shadow=\"none\" data-shadow-direction=\"middle\" class=\"img-with-animation \" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"\"  alt=\"\" \/><\/div><\/div>[\/vc_column]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8220;in_container&#8220; full_screen_row_position=&#8220;middle&#8220; scene_position=&#8220;center&#8220; text_color=&#8220;dark&#8220; text_align=&#8220;left&#8220; overlay_strength=&#8220;0.3&#8243; shape_divider_position=&#8220;bottom&#8220;][vc_column column_padding=&#8220;no-extra-padding&#8220; column_padding_position=&#8220;all&#8220; background_color_opacity=&#8220;1&#8243; background_hover_color_opacity=&#8220;1&#8243; column_shadow=&#8220;none&#8220; column_border_radius=&#8220;none&#8220; width=&#8220;1\/1&#8243; tablet_text_alignment=&#8220;default&#8220; phone_text_alignment=&#8220;default&#8220; column_border_width=&#8220;none&#8220; column_border_style=&#8220;solid&#8220;][vc_column_text] Im Dezember 2023 erschien der Katalog zum Projekt | In December&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-538","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/comments?post=538"}],"version-history":[{"count":79,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/538\/revisions"}],"predecessor-version":[{"id":775,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/538\/revisions\/775"}],"wp:attachment":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/media?parent=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}