{"id":13,"date":"2020-07-06T15:38:13","date_gmt":"2020-07-06T13:38:13","guid":{"rendered":"http:\/\/heavenandhell.tracingspaces.net\/?page_id=13"},"modified":"2021-08-06T19:53:04","modified_gmt":"2021-08-06T17:53:04","slug":"kuenstlerinnen","status":"publish","type":"page","link":"https:\/\/tracingspaces.net\/heavenandhell\/kuenstlerinnen\/","title":{"rendered":"K\u00fcnstler*innen | Artists"},"content":{"rendered":"[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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K\u00dcNSTLERISCHES TEAM | ARTISTIC TEAM
\n<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

<\/div><\/div>[vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]
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IRIS ANDRASCHEK & HUBERT LOBNIG<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Hubert Lobnig, geb. in V\u00f6lkermarkt, und Iris Andraschek arbeiten sowohl eigenst\u00e4ndig als auch in Kooperation als K\u00fcnstler*innen und Kurator*innen an Orts-bezogenen und Kontext-orientierten Arbeiten im \u00f6ffentlichen Raum.
\nSie interessieren sich f\u00fcr regionale und globale (Zeit-)Geschichte und Geschichten individueller Akteure, arbeiten mitunter partizipativ und\/oder bieten \u00fcber ihre performativen Interventionen und station\u00e4ren Installationen Interaktions-Zonen f\u00fcr die lokale Bev\u00f6lkerung an. Dabei k\u00f6nnen sie auf eine gro\u00dfe Erfahrung im l\u00e4ndlichen Raum zur\u00fcckgreifen, z.B. durch die von ihnen kuratierten Projekte: Geteilte Zuversicht<\/em> in Reinsberg im Mostviertel 2011 oder Wohin verschwinden die Grenzen am Grenz\u00fcbergang<\/em> Fratres\/Slavonice im Waldviertel 2014 usf.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Hubert Lobnig, born in V\u00f6lkermarkt, and Iris Andraschek work both independently and in cooperation as artists and curators on site-related and context-oriented works in public space.
\nThey are interested in regional and global (contemporary) history and stories of individual actors, sometimes work in a participatory way and\/or offer interaction zones for the local population through their performative interventions and stationary installations. In doing so, they can draw on a wealth of experience in rural areas: e.g. through the projects they curate: Shared Confidence in Reinsberg in Mostviertel 2011 or Where the Borders Disappear at the Fratres\/Slavonice Border Crossing in Waldviertel 2014 and so on.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Webpage Iris Adraschek“ url=“https:\/\/irisandraschek.com\/“ margin_left=“5″][nectar_btn size=“small“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ url=“https:\/\/hubertlobnig.com\/“ text=“Webpage Hubert Lobnig“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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THOMAS H\u00d6RL & PETER KOZEK<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Thomas H\u00f6rl (in Golling a.d.S. aufgewachsen) und Peter Kozek arbeiten seit 2003 gemeinsam an performativen Projekten. Mit selbst hergestellten Masken, Kost\u00fcmen und Ritual-Gegenst\u00e4nden sowie ort-spezifischen Prozessionen generieren sie mit ihrem stark ethnographischen oder anthropologischen Zugang fiktive Erz\u00e4hlungen, die sich an historisch belasteten und oft in der Tat beunruhigenden Elementen popul\u00e4rer lokaler Mythen und Rituale orientieren. Ihre Projekte entstehen vielfach in mehrstufigen partizipativen Verfahren und werden filmisch \u00fcbersetzt. Siehe u.a.: D\u00e4monische Leinw\u00e4nde<\/em> pr\u00e4sentiert im Kunstraum Lakeside Klagenfurt 2017 und beim steirischen herbst in Graz 2018.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Thomas H\u00f6rl (raised in Golling) and Peter Kozek have been working together on performative projects since 2003. Using masks, costumes and ritual objects they have made themselves, as well as site-specific processions, they generate fictional narratives with their strongly ethnographic or anthropological approach, which are based on historically charged and often indeed disturbing elements of popular local myths and rituals. Her projects are often developed in multi-level participatory processes and are translated into film. See among others: Demonic Screens<\/em> presented at Kunstraum Lakeside Klagenfurt 2017 and at steirischer herbst in Graz 2018.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Webpage Kozek H\u00f6rlonski“ url=“http:\/\/kozek-hoerlonski.com\/“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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RALO MAYER<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Ralo Mayer ist an Zeitgeschichte und der \u00f6konomischen und \u00f6kologischen Transformation unserer Lebenswelt interessiert, erweitert aber h\u00e4ufig den Untersuchungsraum in au\u00dfer\u2013terrestrische Sph\u00e4ren. Er verfolgt in seinen Arbeiten ein breites Themenspektrum zwischen post-fordistischen Realit\u00e4ten, Raumfahrt-Geschichte, h\u00f6her-dimensionalen Geometrien und anderer Science Fiction. Habitus und Methoden der Naturwissenschaften performativ nachstellend stellt er die Frage, inwiefern durch \u201eModellwelten\u201c nicht nur Wirklichkeit beschrieben werden, sondern durch die Erzeugung, Nutzung und Interpretation dieser Modelle auch Sprechakte gesetzt und somit interveniert wird. Seinen prozessorientierten Forschungs-Ansatz unter Einsatz von Skripts, Rollen und Requisiten, wird er auch in der extrem exponierten Lage und Witterung der Bergwelten einsetzten.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Ralo Mayer is interested in contemporary history and the economic and ecological transformation of our living environment, but he often expands the scope of investigation into extra-terrestrial spheres. In his work, he pursues a wide range of topics between post-Fordist realities, space history, higher-dimensional geometries and other science fiction. By performatively re-enacting the habitus and methods of the natural sciences, he poses the question of the extent to which „model worlds“ not only describe reality, but also set speech acts and thus intervene by creating, using and interpreting these models. His process-oriented research approach, using scripts, roles and props, will also be employed in the extremely exposed location and weather conditions of the mountain worlds.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Webpage Ralo Mayer“ url=“http:\/\/was-ist-multiplex.info\/“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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ANNA MEYER<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Anna Meyer, ist eine Schweizer Malerin, die in Wien lebt. In ihren mitunter gro\u00dfformatigen und vielfarbigen collagierten Bilderwelten ebenso wir in ihren kleinen Skulpturen treffen mobile Subjekte auf global zirkulierende Architekturen, Bilder, Waren, die heute Imaginationen und Identit\u00e4tsentw\u00fcrfe beeinflussen. Konterkarriert werden diese durch kritische Textfragmente und Slogans. Internet und Popul\u00e4rkultur bilden Gemeinschaften jenseits lokaler, nationaler oder regionaler Verankerungen, was auch im Kontext des Tourismus von Interesse sein kann. Anna Meyer hat bereits zuvor u.a. Billboards im Au\u00dfenraum realsiert \u2013 und eine Serie von Arbeiten zum weltweiten Klimawandel.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Anna Meyer, is a Swiss painter who lives in Vienna. In her sometimes large-format and multicoloured collaged worlds of images, as well as in her small sculptures, mobile subjects meet globally circulating architectures, images, goods, which today use to influence both individuals‘ imaginations and concepts of identity. These images are counteracted by critical text fragments and slogans.
\nHere, the Internet and popular culture form communities beyond local, national or regional anchoring, which is also typical for the context of tourism.Anna Meyer has created billboards in outdoor spaces – a series of works on global climate change.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Interview mit Anna Meyer“ url=“https:\/\/kunstund.blogspot.com\/2021\/08\/weltschmerz.html“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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HANNES ZEBEDIN<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Der Bildhauer Hannes Zebedin befasst sich intensiv mit der Alpen-Adria-Region, in der er geboren und aufgewachsen ist und in der er zum Teil auch lebt. Er war bei mehreren Ausstellungs-Projekten \u00fcber und in den Alpen beteiligt. In seinen Arbeiten analysiert er die Auswirkungen geopolitischer Strukturen auf die Landschaft und \u00fcbersetzt seine politisch ambitionierte Kritik in Assemblagen aus unterschiedlichen bildhauerischen Versatzst\u00fccken, wie u.a. in der Ausstellung Transittradition<\/em> in der K\u00fcnstlerschaft Tirol 2018, die sich mit der Zurichtung der Landschaft f\u00fcr den Transitverkehr besch\u00e4ftigte.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]The sculptor Hannes Zebedin deals intensively with the Alps-Adriatic region where he was born, grew up and lives \u2013 part time. He was involved in several exhibition projects about and in the Alps so far. In his artistic works he analyses the effects of geopolitical structures on the landscape and translates his politically ambitious criticism into assemblages of various sculptural set pieces, such as in the exhibition Transittradition<\/em> at K\u00fcnstlerschaft Tirol in 2018, which dealt with the preparation and deformation of the landscape for transit traffic.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Wohin bei Hannes“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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MICHAEL ZINGANEL
\nKURATOR | CURATOR<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Michael Zinganel lebt als Architekturtheoretiker, Kulturwissenschaftler, K\u00fcnstler und Kurator in Wien. Er arbeitete in Kooperation mit Peter Spillmann zu Kunst und Tourismus (2003\u201307) und seit 2005 mit Michael Hieslmair \u00fcber Massentourismus und transnationale Mobilit\u00e4t und Migration. Beide sind Begr\u00fcnder der Forschungsplattform \u201eTracing Spaces\u201c (2012), die u.a. die Ausstellung und Publikation \u201eHoliday after the Fall: Seaside Architecture and Urbanism in Bulgaria and Croatia\u201c (2012\u201315) produzierte, und Projektleiter des Forschungsprojektes „Stop & Go. Nodes of Transformation and Transition\u201c an der Akademie der Bildenden K\u00fcnste Wien (2014-16). Aktuell arbeiten beide in situ \u00fcber die Transformation des Nordwestbahnhofs, des letzten innerst\u00e4dtischen Logistik-Knotens in Wien.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Michael Zinganel lives in Vienna as an architectural theorist, cultural scientist, artist and curator. He worked with Peter Spillmann on art and tourism (2003-07) and since 2005 with Michael Hieslmair on mass tourism and transnational mobility and migration. Both are founders of the research platform „Tracing Spaces“ (2012), which among other things produced the exhibition and publication „Holiday after the Fall: Seaside Architecture and Urbanism in Bulgaria and Croatia“ (2012\u201315), and project managers of the research project „Stop & Go. Nodes of Transformation and Transition“ research project at the Academy of Fine Arts Vienna (2014-16). Currently both are working in situ on the transformation of the Nordwestbahnhof, the last inner-city logistics node in Vienna.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Webpage Michael Zinganel“ url=“https:\/\/tracingspaces.net\/“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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THERESA HATTINGER
\nGRAPHIC DESIGN<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Theresa Hattinger, Grafikerin und B\u00fchnenbildnerin in Wien, arbeitet als interdisziplin\u00e4re Gestalterin mit den Schwerpunkten Textiles, Typografie und Zeichnung zu politischen und sozio-kulturellen Themen im \u00f6ffentlichen Raum. Seit 2019 hat sie auch bei mehreen Projekten von Tracing Spaces mitgewirkt und f\u00fcr dieses Projekt das visuelle Leitsystems und die Drucksorten gestaltet.[\/vc_column_text][\/vc_column][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/2″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text]Theresa Hattinger, educated as graphic and set designer in Vienna, works as an interdisciplinary designer with a focus on textiles, typography and drawing on political and socio-cultural topics \u2013 also in public space. Since 2019 she has also collaborated on several projects of Tracing Spaces and designed the visual guidance system and the print for this project.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“center“ overlay_strength=“0.3″ shape_divider_position=“bottom“ shape_type=““][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][nectar_btn size=“small“ open_new_tab=“true“ button_style=“see-through-2″ hover_text_color_override=“#ffffff“ icon_family=“none“ text=“Webpage Theresa Hattinger“ url=“https:\/\/thehatdesign.com\/“][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“]

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[vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“ overlay_strength=“0.3″ shape_divider_position=“bottom“][vc_column column_padding=“no-extra-padding“ column_padding_position=“all“ background_color_opacity=“1″ background_hover_color_opacity=“1″ column_shadow=“none“ column_border_radius=“none“ width=“1\/1″ tablet_text_alignment=“default“ phone_text_alignment=“default“ column_border_width=“none“ column_border_style=“solid“][vc_column_text] K\u00dcNSTLERISCHES TEAM | ARTISTIC TEAM [\/vc_column_text][\/vc_column][\/vc_row][vc_row type=“in_container“ full_screen_row_position=“middle“ scene_position=“center“ text_color=“dark“ text_align=“left“…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":50,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/pages\/13\/revisions\/635"}],"wp:attachment":[{"href":"https:\/\/tracingspaces.net\/heavenandhell\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}